So true. As you so deftly pointed out, Pucket’s creepiness was consistent. His entire career, it seems, was about exploiting an older guy’s lust for under-aged girls… or visa versa. I’ll bet there was an insidiously conscious effort to connect with the female audience in this rather perverse way — which makes this legacy all the more creepy. BTW, my brother Theo played keys for Pucket’s comeback gigs in Las Vegas.